Famous Filipino Painters: Juan Luna y Novicio (October 23, 1857 – December 7, 1899) was a Filipino painter in the late 19th century.
He was born in Badoc, Ilocos Norte, Philippines, the third child of seven children. He is a descendant of the Cala Family of the Philippines. Luna obtained his Bachelor of Arts degree from the Ateneo Municipal de Manila in 1874. He showed artistic promise early on and was encouraged to take up painting and traveled to Rome to study the masters. He settled in Paris and married Maria de la Paz, a prominent Filipina from the Mestizaje family of Pardo de Tavera. In a rage over his suspicion of infidelity on the part of his wife, he mercilessly shot her and her mother to death in September 1892. Tried by a French court and subsequently convicted in 1893, he was sentenced to pay the victims' immediate kin but one franc each for their loss, as the court had deemed the murders a crime of passion. In 1894, Luna returned to the Philippines after an absence of almost 20 years.
His most famous piece, The Spoliarium, for which he won gold prize at the 1884 Madrid Exposition, is currently in the National Museum in Manila.
Luna died of heart failure in Hong Kong on December 7, 1899. He was rushing home from Europe after hearing of his brother’s assassination by members of the Katipunan. Luna was buried at the San Agustin Church in Intramuros.
Vicente Manansala
Famous Filipino Painters: Vicente Silva Manansala (January 22, 1910- August 22, 1981) was a Philippine cubist painter and illustrator.
Manansala was born in Macabebe, Pampanga. From 1926 to 1930, he studied at the U.P. School of Fine Arts. In 1949, Manansala received a six-month grant by UNESCO to study at the Ecole de Beaux Arts in Banff and Montreal, Canada. In 1950, he received a nine-month scholarship to study at the Ecole de Beaux Arts in Paris by the French government.
Manansala's canvases were described as masterpieces that brought the cultures of the barrio and the city together. His Madonna of the Slums is a portrayal of a mother and child from the countryside who became urban shanty residents once in the city. In his Jeepneys, Manansala combined the elements of provincial folk culture with the congestion issues of the city.
Manansala developed transparent cubism, wherein the "delicate tones, shapes, and patterns of figure and environment are masterfully superimposed". A fine example of Manansala using this "transparent and translucent" technique is his composition, Kalabaw (Carabao).
Vicente Manansala, a National Artist of the Philippines in Visual Arts, was a direct influence to his fellow Filipino neo-realists: Malang, Angelito Antonio, Norma Belleza and Baldemor. The Honolulu Academy of Arts, the Lopez Memorial Museum (Manila), the Philippine Center (New York City) and the Singapore Art Museum are among the public collections holding work by Vicente Manansala.
Manansala was born in Macabebe, Pampanga. From 1926 to 1930, he studied at the U.P. School of Fine Arts. In 1949, Manansala received a six-month grant by UNESCO to study at the Ecole de Beaux Arts in Banff and Montreal, Canada. In 1950, he received a nine-month scholarship to study at the Ecole de Beaux Arts in Paris by the French government.
Manansala's canvases were described as masterpieces that brought the cultures of the barrio and the city together. His Madonna of the Slums is a portrayal of a mother and child from the countryside who became urban shanty residents once in the city. In his Jeepneys, Manansala combined the elements of provincial folk culture with the congestion issues of the city.
Manansala developed transparent cubism, wherein the "delicate tones, shapes, and patterns of figure and environment are masterfully superimposed". A fine example of Manansala using this "transparent and translucent" technique is his composition, Kalabaw (Carabao).
Vicente Manansala, a National Artist of the Philippines in Visual Arts, was a direct influence to his fellow Filipino neo-realists: Malang, Angelito Antonio, Norma Belleza and Baldemor. The Honolulu Academy of Arts, the Lopez Memorial Museum (Manila), the Philippine Center (New York City) and the Singapore Art Museum are among the public collections holding work by Vicente Manansala.
Arturo R. Luz
Famous Filipino Painters: Arturo R. Luz (born 1926) is a Philippine National Artist awardee in painting. He is also a known printmaker, sculptor, designer and art administrator. Luz produced art pieces through a discplined economy of means. His early drawings were described as "playful linear works" influenced by Paul Klee. His best masterpieces are minimalist, geometric abstracts, alluding to the modernist "virtues" of competence, order and elegance; and were further described as evoking universal reality and mirrors an aspiration for an acme of true Asian modernity.
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